Monday, October 31, 2016

Spooky Story 2016

...Apparently this post title is a day late; I just now took a look back at all the previous Halloweens, and the post Spooky Story [Year] has always been posted on the 30th, with the story itself on the 31st in a post called the name of the story.

Oops. But anyway, no choice but to run with it now.

Man I am just incapable of writing any spooky story right now, that doesn't end with AND THEN DAVID PUMPKINS JUMPED OUT OOGA BOOGA BOOGA.



I've watched that, what now, four or five times? Never gets old. Oh my goodness... I'm laughing right now, just thinking about it. It's the new "I got a rock!" of Halloween!

Between that and spending my time on graphic design homework, I don't have any spooky story of my own for you. Instead of posting my own spooky story this year, then, I've gotten permission from my former mission companion David Rose (who is awesome) to post a spooky story he's written. It's called, What a Monster Looks Like.

Enjoy.

WHAT A MONSTER LOOKS LIKE

It was a calm night. The ocean waters lapped playfully at the rough bay stone as they towered above, rising sharply out of the sea, leaning this way and that. The air it’s self was still and quiet beyond any night of that year, though it was still only early summer. Indeed, all on the surface was mild and pleasant from one end of the passage to the other, and though this night was exceptionally nice, it had been much the same for months now. Yet, something was not right. Ships hadn’t been getting through, and though the passage was narrow, and the cliffs the lining it steep, the ships claimed by the straight never seemed to leave any alive to tell the tale of it misfortune. No life boats, no helpless sailors clinging to the rocks for dear life, no bodies at all for that matter. Many of the seafarers had come to believe the place haunted by some dark force or another. For this reason, the ship on the horizon had come no closer than the captain thought the man in the boat they’d let to sea could row.

The captain had tried to warn him. Had told him all the stories, named all the ships he knew of that hadn’t made it, but the man simply nodded, smiling that ever present sleepy smile which seemed to be the only expression he had ever permitted himself to wear.

“I have business there.” Was all he said, stepping into the long boat, and shoving off before anymore objections could be formed.

Once he made it past the passage mouth, he put the oars away, allowing the ever slight current to pull at his little vessel instead. Softly, he began to sing. It was an old song, about a wayfaring sailor who’d met a fair maid at port, but chose the sea over her. It sounded sad if you just said the words, but somehow when it was sung, it seemed lighthearted, whimsical in a way, as though it was something whomsoever wrote the song had done time and time again. After a verse or two, he would stop and row a little further, then sing some more.

As he did this, he took a moment to pause and enjoy night. The stunning full moon hung, curiously over him as it were, shimmering from time to time as if trying to get a better look at the stranger below without being noticed. The water lapping about the rock like a bunch of children trying to stack atop each other, but each seeking to be at the top. While admiring the serenity of his surroundings, quite suddenly, he found himself no longer alone.

Parting the water next to his vessel, poking barely above the boats side was the face of a young lady. He turned and bowed slightly in acknowledgement of his visitor.

“You sing nicely.” She said, grabbing the boat’s rim and drawing nearer, resting her chin between her hands.

“I thank you kindly for your good words lass, the daughters of the sea are less easily impressed I’m told.”, the man said swaying gently in the boat.

“We’re not as hard as all that to earn the favor of.” She said, pushing back for a moment, stretching her arms. She had on a vest of what looked to be seal leather. It was tight, but thick, going over her shoulders and down as far as the man could see.
              
The man blinked in surprise. “Is that so?” he said tiling his head a little. “Why then has it taken half a night to find myself in the company one such as yourself?” There was only mild curiosity in his voice as he posed the question.
              
“We are a shy bunch. Cautious around things new to us.” She said, pulling close again. “What of you?” She raised herself up a little so that her moth could be seen. “Why have come you out here, all on your lonesome, in the dark?” She draped her arm over the side as she spoke, resting her head on it, causing the boat to tip ever so slightly. “Have you come looking for one of us?”
              
“I should have thought that obvious.” The man said smiling, almost in pity of the sea creature’s apparent lack of deductive skills.
              
“Why?” she said playfully, lurching off side, splashing a little. “Did you come to see what we look like?” The water starred about her when she said this, and a large green fin rose out of the water behind her, sliding noiselessly back below the serf after a moment.
              
The man did not so much as look up at this, but continued to meet the gaze of the girl in the water with his own soft smile. “No lass, I’ve not come for that.”, he said calmly, “
              
The mermaid, as she had just proven herself to be, pulled both her arms over the side, folding them in front of her. “Then why?” she said resting her full weight on dingy, causing it to tilt again. It did not however tip very much. Doubt and confusion flited across her face for just a moment. She quickly regained her mischief smile however, batting her eyes at the man in the boat to make up for her laps in character.
              
The man lowed his gaze for a moment, shaking his head and chuckling softly. “You feign innocence well lass.” He said looking up, his kind expressing still intact.

The ocean dweller slid off the boat and grew a look of confusion. “What are you implying?” She whimpered in a hurt voice. “Have I done something that would make you think ill of me?”
              
“Here and there, but mostly I can see it in your eyes m’lady.”, he said, relaxing a little on his seat. “There’s not much one can do to hide what they tell, so that is where I look, and yours are quite telling little one.”
              
The sea creature stretched her arms out again, dawning a pouty expression. Swaying a little in the water. The man, unfazed by her try for pity, continued, “You don’t smell of blood though, so I’m guessing I was to be your first.” He turned to look out to sea as he said this, taking in the moon light glistening across the water.
              
“First? What do you mean first?”, asked the daughter of the sea, shifting a little to try to catch the man’s eye. “First what?”
              
“Catch” he said distractedly. The mermaid grew a puzzled look at this.
              
The man turned towards her. “You asked me why I came looking for one of you, did you not?”
              
“Yes, yes!” she said, moving in beside the boat again, her playful nature rekindled. “Why?”
              
“I’ve come to see to it, that this passage be safe again.” He replied. “I’ve come to ask you and whatsoever other monsters are working with you besides to move on.”
              
The mermaid turned a little, pursed her lips and lowered her head just a little. “Do I look like a monster to you?” She asked innocently.
              
Something about the man changed. His expression was the same as before, so too his posture, yet there was a difference, you could feel it. The air around him seemed warmer than before, the water immediately around the boat became more agitated, the very moon light seemed to shy away, and the silence became so think it felt like it was sticking to you. The mermaid looked around a little nervously, but did not shy away.
              
The man began to speak, still using that calm voice as before, but it seemed hold more power than before.
              
“I have seen a wooden chest leap forward of its own volition, clamp shut on a man so hard as to divide him asunder just above the waist, then sprout teeth, a tongue, and a single eye from within the key hole, and come for me, fangs bared.”

He began to lean forward as he spoke now. “I have watched a child’s doll rise up from its place on a shelf, produce such wicked claws at the ends of its stubby patch work arms as to rake a man’s chest deep enough to cleave through the heart and lungs in a single slash.” The boat shifted oddly as his body bent nearer, as though he were much heavier than he appeared.  

“I have witnessed a music box pull the life from all but one of a party of seven, dragging to out through their mouth with its malevolent melody and into itself, fueling its infernal springs and gears off of their collective souls. I have slain a creature in the guise of and infant girl which, in its time, stole the flesh of all a village in a single night, and then tortured it until it did its bidding.” A sickening aura permeated all around him, as though his memories were reliving themselves behind the unchanging visage that was his face, seeking the recognition his calm expression denied then.

He continued, “I myself had every bone in my body removed by a humble quilting needle, and then watched as it was crafted into thread on an ivory spinning wheel.” The man’s short white cape flapped behind him once, though no detectable breeze graced its folds.

“So, you tell me,” He said, now inches from her face, his voice lowering for the first time since he began to speak, “What does a monster look like?” A crack of thunder pounded the stone walls of the channel, lightning ripping every direction across the otherwise vibrantly clear sky from on visible source, leaving the man’s silhouette looming, soulless, cold, and ominous over her, eyes gleaming with the same light racking the stars overhead, his skull showing through his skin in the brief moment of the intense glare from above, glinting dull gold color before fading back behind his flesh when the moon was once again the only light to be had.

“Now, I ask you once more to move on. Know that I will be watching this area, and if there are any more disappearances, I’ll be back, and I won’t ask so nicely next time.” He spoke as cheerily as one might if they were inviting a friend to lunch in the park.

“Run along then, hmm?”, he flashed a slightly wider smile at his visitor once he’d finished speaking.

The world felt frozen to the poor merchild. Wide eye terror held her fast as she cowered behind thin wooden wall of the man’s vessel. Desperately she tried to pry her fingernails free from its wooden railing as they had become embedded in it so tight had her grip become while he’d spoke. Once loose, she slowly sank beneath the now deathly still waters, trembling at the sight of whatever horror sat on the surface above her.

When she was gone, the man began rowing once more, singing softly once again as he did.

From that day hence, all ships venturing through the straight made it un hindered, but many of the sailors which have gone through that place in the night will tell you, it feels more haunted now than it did before the stranger came.

Sunday, October 30, 2016

Bustin' Chops and Takin' Names

Someone could very conceivably run a webcomic, with some form of social media as the medium. Pinterest, or Instagram, or some similar platform. Draw a panel, post it on Instagram; start a Pinterest board, draw a panel, pin it to the board; the feed itself would be the comic page. Not ideal, still- subscribers would receive the panels on their feed, out of the context of the other panels. And looking at the board itself, or whatever it is you call the Instagram wall, all the panels would be in reverse order, because the most recent posts are at the top and it goes reverse chronolo. But it's still an idea. I mean, you do see individual pages like that, which makes more sense, but that kind of thing is just, posting a page from a comic book; it isn't designed for the medium itself.

I'm probably not doing NaNoWriMo this year, though I'd been going to do it last year and all, and have had a year's worth of worldbuilding and character construction and all that, since then, and all that. And by probably I mean, heck I don't have time for that. Maybe days'll suddenly gain 12 additional hours or something, but, no. Barring the ridiculous, I wouldn't have time.

I'm getting super ambitious with my ideas for the Outlet pieces I'm doing graphic design for- I only have a month to deliver professional-quality work, and I'm used to producing amateur-quality work after the span of a couple of months of work. By that I mean, I usually wait till the last second, because, design - so this time, competing against the other students for the precious precious slottage of having product in the final Outlet (great for portfolios!), I'm busting my chops and totally not getting distracted on Wikipedia and Pinterest doing my visual research. (Ha.) But, yeah, I am spending major time on this, at expense of, things that aren't this.

I will have my annual spooky short story tomorrow, of course, but most of my writing right now is in my process book, explaining the development of my visual concepts and the thinking behind why I'm going the directions I am. My module process book is at 24 pages right now, from 6 days of work, and just having that thing open in InDesign is slowing 2.0 down considerably. (The page count does include the cover and illustrations, so it's not like, pure text or anything.)

30 pages now...

Saturday, October 29, 2016

Things I Have Drawn

Had my third interview today, out of the four authors I'm interviewing. We generated a lot of visual concepts. Got some crazy good directions this thing could go in.

Okay, so by this point you've probably heard of Things I Have Drawn. I say that, because today, I learned of it from like 3 separate sources, all making news articles 'bout how awesome it is. It's like Axe Cop, except with child drawings interpreted in Photoshop? It's like Dave DeVries's Monster Engine, except with photos instead of painting, and animals and people and objects and stuff instead of monsters. It's like... oh, you know what it's like.

(I've noticed that a lot of the most brilliant and creative output comes from people who have no idea what they're doing, then interpreted by someone who does. (Or someone who has no idea what they're doing, working alone, who gets very, very blooming lucky.) Which makes this kind of thing just great.)

The conceit seems to be, it's not Photoshop at all. but that Dom is a brilliant artist whose subjects happen to look like kids' drawings in real life. Great. But get deeper into the lore...

I think actually what it is, based on this one, that he's altering reality by drawing things, is what it's actually supposed to be...

Friday, October 28, 2016

A Memory Play

Okay, seriously, STORKS is, literally awesome. And I don't misuse the word "literally" like so many of you kids do nowadays (I misuse it in completely new, creative and inventive ways.) If the random action-climax were handled better, it really stood the chance to be as good/almost as good as Zootopia. Like holy crap. And the animation, just, superb. Like, best-animation-I've-seen-in-my-life superb. Just two films in, and WAG have proven themselves to be one of the finest animation companies producing today. Better than Pixar, even? I think so.

Anyway.

Had my second interview today, gathering authorial intent on the pieces I'm trying my hand at graphic design for for the Outlet publication. The last two interviews are scheduled for tomorrow.

One thing I've noticed through conducting these interviews, which I maybe would have missed had I not contacted the authors and had chats face-to-face, is how both of the pieces so far deal with the concept of memory. Perhaps you'll understand if (when) you actually see the pieces and read them, but for now, man I just love the wolves, they're so great, but dang it just sucks how all of their best moments were completely spoiled by the trailers.

Erm. Sorry, STORKS tangent (and I am abusing that word harder than I abused poor "literally" up there.)

It's a really weird thing, memory, and we don't really think about how weird it is that often. But it's pretty funny. And I'm not sure about how to order my next cluster of thoughts- see, I went to go see the Glass Menagerie this evening... the Glass Menagerie, "a memory play" as Tom Wingfield puts it in his introductory narration.


Zachary Dawdy starred as Tom Wingfield, and I thought he looked familiar- I got a chance to catch him, and sure enough I had seen him before. He was Bill Bailey in Cats (and also doubling for Macavity,) and the Sentry in Antigone, both productions which I've written about and one of which I actually had the pleasure of attending. Really I might've been going to put that "Memory" video up even if he weren't in Cats, I was considering it beforehand, but I heard that he'd been in Cats and was all, yahhhsss...

So what I focused on, anyway, obviously, was how the play, and this production specifically, dealt with and emphasized the theme. The director's metaphor here was the concept of swiss cheese- holes get larger as time goes on, but the cheese itself grows stronger and stronger. Time erases some memories, distorts and strengthens others. That was the production metaphor, a metaphor for the concept but not for anything visual.

The stage itself, rather, the set design in this production, was symbolically distorted: the angles used were occasionally odd and jutting, which not only represented expressionism and how reality is filtered through subjective experience (e.g. those crazy angles from the Cabinet of Dr Caligari,) but also, combined with the scrim material that a lot of the set was constructed out of, suggested glass, particularly of the shattered sort. The set was painted in blues, very dark and neutral: retreating colors, which placed emphasis on the players instead of the stage itself, and also to echo the "blue" themes mentioned by the script: Blue Roses, Blue Mountain. Also, that glass thing mentioned above. 

Everything was symbolic, visually, but you wouldn't have noticed it if it weren't pointed out to you. It's my challenge to create that kind of thing, but for these pieces.

four minutes later EDIT: oh, man, I totally spaced on telling you the best part of STORKS: there is in this movie, no joke, a montage sequence set to Talking Heads' "And She Was." If that's not enough to get you to go see it, nothing is.

Thursday, October 27, 2016

How To Kill a Mustache

Another clue that a video may have been shared directly from the YouTube "share" feature to Blogger is that the video name by default shows up as the post name. I change change it or whatever, but, sometimes I don't...



I've got another interview in the morning, one of the two poets this time, so I want to get to bed and make this quick and all that, but, there are a few things I didn't mention in yesterday's post which I wanted to (also wanting to get to bed quickly, in that instance because I had a paper due this morning in my art readings class.)



This video, though. We were actually shown it, funnily enough, in graphic design class a week ago, as part of this thing about creativity, just going over how many different ways they can think of to say "mustache."







It's been one full year since Rhett and Link's sketchtober thing; kind of hard to believe but true. They haven't come out with a video on their main channel in, a full year come Saturday...



Also, something I noticed this morning when receiving another compliment on my soup-strainer-less face, each time someone's brought it up, the phrasing has been exactly the same. "Eric, you shaved! It looks good."



Trying to remember if the compliments on the presence of the ground-squirrel were all the same or not... but I think they also were...

Wednesday, October 26, 2016

Facial Hair and Israel

Nobody seems to have noticed this or pointed it out, from my Tintin outfit, but... you'll notice I am neither Thompson nor Thomson. Meaning, I've got no 'stache.


I got a few compliments for it while I had it, mostly from dyueds I think. I'm getting a lot of compliments from the ladies who've noticed I've shorn it. I think I like that then, being shaved, 'cos, you know. Ain't nobody that gay.

So I had my first interview this morning, one of the short fiction writers, for the project working on the Outlet. Over the phone, because she was unavailable to meet face-to-face with me. Because she's in Israel. I'd say it went well.

Only...

Now that the project's technically begun, with the meeting of Graphic Design class today, the professor is suggesting that everyone contact the authors of the pieces they're graphic designing for. So. Right when I thought I had a handle on things.

I am as far as I know the only one conducting interviews in person, though... as far as I know. For what it's worth.

Tuesday, October 25, 2016

Gonna Conduct Some Interviews

I've got interviews lined up with, basically everyone, those who wrote for the Outlet whose pieces I'd selected to do the graphic design for. Getting a feel for the author's intent, because I don't think the author is dead. Also great practice for, this kind of thing. Got four great pieces, who wouldn't want to get into the authors' heads on this kind of thing?

I wrote about it in my module workbook which I've actually started with this early. Read it so that I don't have to write any more on the matter, and head to bed now.

I’m a pretty lousy graphic designer. I mean I can recognize graphic design when it’s bad, and that’s how I can tell. I’m a pretty lousy graphic designer.
After rushing to get module two done, with a particularly hectic week leading up to the due date, I scheduled my time out a lot, and found myself missing that when the project was over. I figured then that since I do have all this spare time, having so much downtime even when it’s time to be scrabbling like mad, I may as well use my time to do something instead of phoning in my major projects. Revamping my entire process of graphic design, starting with the first phase.
I did do a lot of research for last project, but this is a different animal entirely. In order to be the best, not lousy, have a chance at being the final designer for even one of these layouts, and also utilize the resources available to me just for the heck of it (they do put the author’s email address next to their name on the list of pieces that need to be designed for,) I decided to delve into the research step through conducting interviews with the authors to determine their own views on the pieces. Hopefully this would give me some insight into the works, and from there determine the best strategies for doing graphic design work. I’d also have to work hard on the other steps, but with all this free time I suddenly realized I have available to me, I figured being able to push myself and do something prestigious and not-lousy would be worth the extra effort. Seriously.

Monday, October 24, 2016

Onto New Projects: Outlet 2016

After all the scheduled time last week, navigating the busy week and weekend, and finally finishing the graphic design class project this morning, printing it out at least and finishing the process book module before class, like, right before class, like, after class already started but still mostly before most of class... after all that, and then after class is over, I find myself... adrift. Like, dang I miss having a schedule, things to circumnavigate and plot ahead and plan for and place around other things. So I think I'll go to bed, and wake up early tomorrow, and have something to do again.

Alright, so with the PSA ad project over, we're moving onto the major project of the semester: the Outlet is a publication of fiction, poetry, essays and graphic design put out by the students of BYU-I. It's won a lot of awards in college graphic design, probably because of the way the business model of sorts is structured: multiple students do their own graphic design for the same piece, and the students vote for and go with the best design.

Everyone in Graphic Design 235 has two poems and two prose pieces, to illustrate. Should give me something to do. It doesn't officially start until the next time Graphic Design class meets, but I'm already working to schedule doing stuff for it... I've contacted the writers of the pieces I'm planning on designing for; only one person has gotten back to me so far, but the thing is she was the one I was expecting to get back to me last, if at all (being technically graduated this semester, but still qualifying for inclusion in this year's Outlet of course.)

Sunday, October 23, 2016

And Tapeworms.

Continuing on my kick of rad songs about Nevada, there's an entire Killers album of that. Because you know Sufjan Stevens isn't going to be bothered to get around to it...

Still think it's the greatest album of 2012. Couldn't have been four years ago... In fact, the VEVO stream of the whole album was released onto YouTube four years ago today.



That's just the, title track, actually, that video; it's not the whole album itself.

I'm just kind of dinking around right now, though I should be hitting the hay- I know I'm going to wake up early tomorrow anyway, no matter how much sleep I get; the only variable now is... how much sleep I get. The big project we've been working on in Graphic Design class is due tomorrow, and there's still a little bit left to do on it. For now I shall offer a tantalizing glimpse, perhaps?:



Saturday, October 22, 2016

Grizzly Goat

After a week of busting my chops doing homework I was ready to hit Skizzy's again for some awesome live music, but there was still one last paper to get done for religion class which I had to finish before going anywhere. Naturally, then, I didn't finish it until a few minutes before it was due (got distracted working on my graphic design project, all right?) and so I arrived at Skizzy's 2 hours after the show started. Good news, though, is that with only 3 songs left in the set, I (and the two girls who arrived at the same time I did) got in for only $2, of a $5 ticket price. By the time we'd paid, there were only two songs left.

Oh my gosh, though, so worth it.

The band today were the Provo-based folk rock band Grizzly Goat. Who are awesome. Bought two of their albums (but their music is also streamable from their website which is linked) from the strength of the last number of their set alone. Nevada, from their EP, Boring Conversation Anyway. Listen to that one! That one song, if no others. You'll want to listen to more after.

Friday, October 21, 2016

Belated Tom Cruise Day, Early Mole Day

We like to celebrate Tom Cruise Day, here at the Disney Villain Death blog. Apparently. October 6, every year! Missed it this year? A-ha, it only seems that way, because, no, you see, what actually happened was, I was waiting until Jack Reacher 2 came out, so that I could tell you all about it! Strange thing- Tom Cruise's name is synonymous with "Hollywood Celebrity," yet he's in precisely only one film franchise- or was, until today. For- rejoice, friends!- they have made another Jack Reacher movie, and it is awesome.

I realized a few days ago that it was the perfect situation, the very thing I'm trying to get with Moana and Spider-Man: Homecoming. I knew that Never Go Back was coming out, but I realized I didn't know a single thing about it, because I haven't been seeing trailers for it or anything. Alright, there's been a grand total of one- but it's 30 seconds and really vague about the plot, and 90% of what happens in it happens in the first 5 minutes of the movie, like they also did with the hanging-off-the-side-of-the-airplane sequence in Rogue Nation. Paramount are just really awesome when it comes to making their trailers for Tom Cruise movies I guess?

I must have been the only one under 40 in the theater at the showing I went to. Made me kind of self-conscious, feelin' like I'm not a "true" fan, having only gotten into Lee Child's novels after the first movie came out. Or something. Haven't even read One Shot or Never Go Back, the two books that have been adapted so far. And the ones I have read any of, I can't remember their names. But Tom Cruise is a common ground. Tom Cruise levels the playing field, for everyone. So by the end of the film, I guess I was okay with it.

It's a great movie. I can't really think of many movies this year I haven't thought that of, of course, but... I don't think any of the other movies I saw this year had Aldis Hodge in them, so, worth seeing just for him.

Tom Cruise Day being late, now onto Mole Day being early.

Mole Day is October 23 starting at 6:02 (a mole being 6.02...x10^23, of course,) which is a Sunday this year, so the chemistry department held it this afternoon instead. Starting at 6:02.

There was a race, running one mole of yoctometers- yoctometers are the measurement only surpassed in minisculity by the Planck length itself, and a mole of them comes out to just about 2 miles, moles are that large. There was also a costume contest, come dressed as a literary detective. At first I was going to go dressed as Jack Reacher (and was considering Ellery Queen before that) but caught a glimpse of my hair in a window coming back from that movie, and saw how I kind of had a cowlick, and had the sleeves of my sweater rolled up...

I went dressed as Tintin.

Lost the race, won the costume contest. $10 gift card to Fat Cats... Sweet, the only reason I didn't see Storks after Jack Reacher was because Jack Reacher got out like 5 minutes after Storks started... plus, I might have missed the Mole Day run had I stuck around.

The race was kicked off with the ignition of hydrogen balloons, instead of a starter gun. Supposed to have been lit at 6:02, but they make streamers fire-retardant nowadays, Who knew.

The two-mile route. I was off to an early start (who needs pacing?) but was passed by everyone else halfway past the McKay building.
The signs were helpful. I still got lost near the end, misremembering the map and thinking the direction arrow must have been wrong. Took the wrong right turn before looping the track, but it does equal out to the same distance. 

Note the symbolism of this photo: the sign in the foreground, and then the sign in the middle ground signifying what I was actually doing by this point.

Me and Nancy Drew.


International Cinema day- a bit of animation this time. Crazy.

 

Thursday, October 20, 2016

Reid Elem and the Pizza Hut Preschool

The dates for the next art seminars have been set- there's just like this string of Thursdays with Seminars on, coming up. Next Thursday, the Thursday after that, the Thursday after that, and I think the Thursday after that one, but I'm not sure.

The seminar this evening was from international photographer Reid Elem, who is also doing a workshop tomorrow morning that starts right when I've got class. Oh well. But he's so great, check his website out. His stuff in Antarctica blows my mind, it's terrific...


When trying to open that photo up in Photoshop before posting it up here (I always, unless in a major rush, run my photographs through Photoshop just to fine-tune the value balance and cropping, before I post them,) I first accidentally opened up an alternative photograph of Tom Deforest I didn't use, obviously mistaking the thumbnail for the other one, but figured it's a good enough photo with a great subject matter that I might as well give it a chance to shine finally.


The Pizza Hut and the preschool, two different things... it's just really unfortunate typography and layout here...

Wednesday, October 19, 2016

Sked

Quickly, not taking up too much time.

I've been on my not-going-to-sleep-when-Ryan-does sleep schedule this week, as opposed to the other thing. A little busy.

Alright, it's Wednesday, but that doesn't really signal the halfway point of my troubles, this week. I guess having the print stuff today was alright, but now that that's past there's only bigger projects that demand my attention- but before I can complete those, smaller things to clear out of the way. The smaller things, readings for classes. The big things, Monday marks the due day for the project we've been working on all month in Graphic Design class. Which is going to require printing and mounting some posters, and all that, by the next time we meet, so I'm squeezing in cranking out that kind of thing whenever I can catch a moment where it won't kill me to work on that.

First, though, after the readings after the classes and meeting in a pre-lab group discussion for chem/art class, and oh yeah I also have books I need to turn in or / and renew tomorrow, tomorrow evening there's going to be a lecture for this lecture course I'm taking this semester, that hasn't had any lectures so far but by the end is supposed to have, I don't know, three or four of 'em. Or maybe just the one. Or something. Either way, that's also tomorrow.

After that, we'll deal with the things scheduled for Friday and the weekend.

It's not that crazy of a schedule, but it is a schedule, with actual dates and times written down, and this is the first time I've had one of those this semester. Maybe I could scan it and show it to you... if I can find the time...

Tuesday, October 18, 2016

Print Like Mad

Prints due in printmaking class are due tomorrow, which even the teacher had forgotten about, so all of us in that class had to work like crazy in the lab this evening to get done on those. All of us? No, there's another boy in the class of me and all other girls, and I don't remember him being in there...

One girl (and can we start saying men/women yet, this is college, yes let's) one woman (huh) her plate was at least as big if not bigger than the one I had I told you about which is so big- what makes it even worse than that, though, is that this assignment we're learning consistency in inking, which means doing more than one print and needing them to look exactly the same, with more careful inking than the learning-process prints we did at the start. Also she had to ink the plate with 15-20 minutes until the building closed for the night.

But the print looks amazing.

Mine looks... well anyway everyone else's are great.

Monday, October 17, 2016

The Right Cliché

I've had worse ideas, than getting SuperSculpey in mine eyes... I could assemble a list of the top worst things I've had in mes yeux, but seriously I doubt it would crack the top 5... let's see, that shard of glass... that clod of lakebed clay... ghost pepper juice... I'm not sure if any of that mustard gas actually got into my eyes, but I looked at it from only a couple of feet away, so that's a solid maybe...? And, cat afterbirth?

Dang it's somewhat miraculous I've still got these peepers...

To say "cliché" is the cheapest form of critique, in the sense that there's absolutely no arguing against it. Any other subjective experience can offer evidence for or against itself, but the figmentation that something may be cliché will always stand alone, because it will always be "true" from any of the reference frames that offer that criticism.

They said to avoid cliché like the plague, hahaha, but they didn't ever bring up that there's such thing as the right cliché to use. Cross their minds?, it didn't even zephyr its way through the same room in which they were standing, ghost through the same hallways. Tell a child to think creatively, in this manner, and what you're doing is stifling creativity- telling them there's a wrong and a right way to problem-solve, make them second-guess that which they would not have first-guessed, when the only such right-way-to-problem-solve limitation in nature is whether the problem is, y'know, "solved" or not (of course, all you can ever do is create new problems for the next generation, but that just makes it fun. Wee.)

So. I don't really believe in cliché. I don't see movieland as "creatively bankrupt" whatever that would mean, have no problem with Hollywood coming out with excessive sequels, and if anything see it as a potential sign of increased creativity (depending on the subjective quality of the rest of the film, of course)- but with previous films to draw upon, after all, each moment can offer up far richer context and far deeper content, remix totally something you're deeply invested in.

Even if something perfectly cliché is played perfectly straight, it's still at least partially unique- every juxtaposition is unique in context; the only circumstances in which cliché disappoints are when it feels like the cliché is just a placeholder, that the creators didn't dig deep enough, when we can see some better trope that would fill the niche in the milieu that the "cliché" currently occupies. When it's the right cliché, we give it no heed, take it for granted as some operational principle of the universe (which may or may not be a good thing, but it's most assuredly not like we're going to notice either way due to the very nature of the beast.)

I think that's all I have to say about that, at the present time.

Sunday, October 16, 2016

Arial Was I, Ere I Saw Verdana

This post is in Verdana instead of Arial today! Just as a formatting experiment; I was fiddling around with the settings and I think Verdana may be easier to read. 

This is Arial. Kind of a subtle difference but note the narrower letterspacing in Arial, lower ascenders, and especially how much thicker the strokes are in Verdana compared with Arial.

Alright, you really can't tell that at this point size, but there's still an appreciable difference in the cap and descender heights vs the x height, giving this really freer-breathing sort of feeling I think. Really goes to show how subtle differences in typography can have tremendous impact on the final feel. Also, serifed capital I's, how great is that?

Anyway! Judy x Nick, totally canon, as confirmed by... the Disney iMessage sticker app? Victories where you can take 'em. (but seriously we live in a world where you can add STICKERS of DISNEY CHARACTERS to your TEXT MESSAGES and it is AWESOME.)


http://lol.disney.com/games/disney-stickers

Though actually (and I guess I'm back in Arial again, though I bet you wouldn't have noticed had I not told you) I don't think I've been a Judy x Nick shipper for months- shocking, I know, but I just like the fanfics/fan comics* where Nick has a secret unrequited crush on Judy, a lot more... and I wonder if that says something about me...

But look at 'em snuggle like that! That's just adorable...**


Saturday, October 15, 2016

Peanut Butter

Totally dropped the peanut butter jar less than a block from the apartment, yesterday afternoon coming back from shopping. I didn't mention it yesterday because I was too busy profusely bleeding from a glass cut on my thumb to bring it up. I love the Good Samaritanianess of people- some people see you on the sidewalk cradling a glob of peanut butter in your hand and trying to salvage what you can, and just walk on by. Others don't.

I managed to pick most of the glass out, I think. Still there were always tiny grains of crunch, in a non-crunchy butter. Ryan bought me a new jar, and so we (he) could just scoop out the other stuff from its 'ware. Chunky this time, though like I said I'd bought creamy (but chunky the time before that, so...)

YouTube continuing my backlog of watch laters. This documentary is among them, from Ahoy who apparently do(es) documentaries on video games (I'm looking at the page now and there's a literal buttload of guides for individual weapons in FPS's); I'm not sure where some of my recommendations come from but this stuff is fascinating enough. The history of graphics is really the history of video games themselves, in a sense. And I remember when a lot of these came out... Descent, man, so many memories of playing that one...

It's 45 minutes long, and there's some animated gore (there's also an entire 16-minute long documentary on the history of that in video games, which I haven't seen yet, here if you're interested.)

 

Friday, October 14, 2016

That "Cats," Yo

Finally making my way through my YouTube "watch later" list this weekend. I'm already pretty far into it! Only 60 videos left to watch now!

Grocery shopping this afternoon- needed it desperately, plus it gave me something to do on a Friday afternoon seeing how Jack Reacher: Never Go Back isn't coming out for a week. Get milk, forget to nab cereal. At least you've got Nesquik at home (strawberry flavored, Avengers: Age of Ultron limited edition (in theaters May 1!))

The woman manning the free sample table at the entrance (Nilla Wafers with some of that cream cheese spread ball stuff on it, so good) sees my Cats t-shirt, asks me if it's from the production they put on here a couple of semesters ago. They put on Cats here a couple of semesters ago, and I'm just learning about this now? Am feeling swindled.

Indeed, I check the old event calendars, and there it is: July 1 and 2, and the 7-11, 2015, Snow 115 Drama Theatre (the site says from the 1st-10th, but no events on Sundays or Mondays, Friday or Saturday either due to Independence Day, and I guess the even on the 11th makes up for those?) More than a "couple" of semesters, but she may have said, "a few" instead I think.

She said that with those fluffy costumes it looked like those poor actors were all about to keel over from heat exhaustion up on stage, and, looking at the photo from the production, jakers crikey that's not normal, I may have to agree more now than I already did when I was chatting with her:


"Chatting," ha, eh...

Thursday, October 13, 2016

Nick Bostrom: What happens when our computers get smarter than we are?

I'm not sure if you know this, but Ryan's got a new job finally (yay!) but it means that he needs to wake up early and that means he needs to go to sleep early (Aw.) My base of operations has been the bedroom lately, instead of the lounge (yessir we've got carpeting in here, not dropping this laptop again, and the outlets for the power cord are so much easier to reach!) or the living room (I'm still not sure I trust the couch, after sleeping on it all sicklike.) With me in the bedroom, and Ryan in the bedroom, and Ryan going off to sleep with me left in the dark, it's just been easier for the past couple of days just to go to bed early as well and putting in little effort to the blog, instead of staying up late and posting some last-minute thing like I usually would (not last-minute as in procrastination, mind you, but last-minute as in letting the blog topic simmer to ripeness.)

Not that anything's been happening this week either, of course... we did get two pizzas today, in reward for passing so many apartment cleanchecks with such flying colors. But that's about it. Think it's time for another video- using your knowledge from yesterday's post, can you tell how this video got embedded?

I've been sitting on this since about when it first came out- December of last year at any rate. I guess I never found a place to put it up, but found it in my archive of post ideas unpublished. Enjoy:


It's the Y2K problem of the new century-- making sure that computers have a system of morality built-in before they get all conscious on us. Totally wild, man. Beyond wild. (Whatever that would be. Trying to find some stronger vocabulary than "wild"... feral? Though used slangily that sounds more like a good thing, like "horrorshow." So I don't know.)

Wednesday, October 12, 2016

The Bravery - Slow Poison

Let's explore the ways in which you can post a video from YouTube to Blogger, using some the Bravery! They're all different sizes and everything, which is pretty weird but I guess it makes sense?

Blogger "insert video" YouTube embed:


YouTube "Share" feature to Blogger:



YouTube "Share" feature to embed:



Bonus points if you get all three to sync up at the same time...

Now you're an expert at recognizing my method whenever I embed a video- the next time I post up a video, you can tell just from the size, "oh, he used YouTube's embed," or whatever. Congratulations?

Tuesday, October 11, 2016

Because I Got Curious... All the Young Shawns

You know how in Psych the suddenly replaced Young Shawn with some new kid, like the old actor was getting too old? Skylar Gisondo is actually older than Liam James (by, like, a couple of weeks,) so, like, WTH? Whatever happened, it wasn't an age issue.

Pilot episode played by Josh Hayden, episode 2 played by Kyle Tejpar. Not sure what's up with those either.

Jake Borelli as teenage Shawn in the three "adventures of teen Shawn" minisodes that came out.

Voiced by Thomas Sharkey in the "The Big Adventures of Little Shawn and Gus" shorts, while we're at it; I knew you wanted to know that...

James Roday as late '90s Shawn in that one episode!

And I'm pretty sure that's all of them. Thanks, IMDb!

Alright, so crazy story about something that happened today. I got mistaken, even at a very close distance, for a "Jed!" Now, I don't know who this Jed is, but I hope he's deviously handsome! Not that I'd have the manhots for him or anything, it's... aw, forget it.

Monday, October 10, 2016

Inking the Beast

Remember that huge plate that I drypointed and dreaded inking, re: printmaking class? 
Finally inked it and printed it today. Had a honey of a go of it.

The first step in inking a plate is having a plate, and ink. The first part of that equation had already been solved for, but the ink comes in cans, and cans need to be opened. Which is the devil, when the last person to use the ink can forgot to wipe the lip of the lid off, and the ink just dried sticking the lid to the tin. I managed to get the ink can open... a couple of blisters later.


Next, you add the ink to the plate. She was an absolute beast to ink, just like I'd predicted. The inking process on a plate, for those of you who haven't done it before, is, 1) squeegee ink all over the plate 2) squeegee the ink off the plate 3) use a tarlatane (cheesecloth-like towel wad) to buff the plate and the ink still on it to achieve a nice even "plate tone." Do each of those three steps, getting every square inch of the plate evenly. There was a lot of ink involved, and it got into a lot of places. This is why you wear gloves and a smock/apron/work shirt, kids.


Ink gets everywhere.

I have a photo of the print, the cleaned-off plate (it was a joyous picnic to clean the ink off the plate when I was done, as well) and the newsprint used against the back of the plate to keep the ink that had gotten back there from getting onto the blankets of the press bed (see how inky the back was?) all posing in a row next to each other:

note the tiny square inch marks in the background.
The final step (aside from cleanup) is inked plate+paper*pressure. Get someone with non-inky hands to handle your paper (which has been soaked in water and patted dry, and is think enough not to fall apart under press bed pressure) and for cranky-cranky-cranking the press. Check the print. This is your test print: note the ink job, anything you'll have to pay attention to in inking or wiping the plate. If you're satisfied that you can get a consistent print, you may reink the plate, print more prints in your print run. Clean your workstation, and your plate, and stuff. That's how you ink and print.

Sunday, October 9, 2016

Tombstone: Limited Edition Reuben-ator Pizza

Tombstone have out, for a limited time, Reuben-ator pizza. It's like a Reuben sandwich, as a pizza. I'm sure I've told you before how sick Reubens are, the dopest of the sandwiches; how if I ever open up a restaurant it'll sell nothing but Reubens and be called Reuben-esque, decorated with Rubens paintings on the walls but with sandwiches painted into 'em.

Pretty sure I've told you all that before.

So now there's Reuben as a pizza.

And how great is it?

It's alright, I guess. Really wish the pizza had come out from anyone but Tombstone; alright better them than Jack's I guess but Tombstone are really right there underneath Red Baron as far as these go. And I never realized there was a hierarchy till now. Really, guys, I don't even eat that much frozen pizza; how the heck am I such a connoisseur (two n's two vowels two s's two vowels) all of a sudden? I dunno.

I talk about what makes up a connoisseur in one of the posts of (literal) yesteryear, that I composed for the most part but haven't posted up yet (I should get around to posting those.) I'm not spoiling what it is that makes a connoisseur, as defined by Elder South on my mission, but I'll tell you where to look for it, and maybe you can guess based on the title of the post alone. It'd be called HIPSTER V FURRY, and it's from a series of posts that talk about the ways in which my tagline labels ("autistic Mormon hipster furry brony manchild") war, "bundle of complexities"-style, against each other, the ways in which each are fundamentally compatible/incompatible with one another. It's all kinda crazy when you get right down to it. Look for 'em, when I finally get around to posting 'em up.

No matter how Tombstone Pizza the pizza is pizza, the pizza is still pizza, though. And there are ways around the weaknesses of the pizza itself; ways to re-Reuben-ate it. The crust gets way too hard; the instructions say to bake it on the center rack, but I say something a little higher than that would probably be better? Or try it on a pizza sheet maybe? I don't know. All kinds of ways around that one, though.

There's not nearly enough kraut on the pizza- I'd also recommend topping it off with a little of your own. The thousand island is well-applied, though. And the way the rye is handled, having crouton-y bits as toppings instead of attempting to rye-ify the crust itself, really works well.

In the end, a decent pizza, not worth your time straight out of the box but well worth it with the proper modifications.

What on earth am I going on about...? everyone's a critic...

Saturday, October 8, 2016

Bad at It

"You voting in the election next month?" my apartmentmate asks me from the door to my bedroom, as I lie in bed working on... I think sculpture, here, and as he gets prepared to head out the door.

A beat or so. "I guess," I tell him.

Another pause, as he's crossing over to the outside door, or something. I didn't look up. Like I've told you. A beat of hesitation. "[Sock puppet] '16!" he says, before exiting, as if nobody knew whom he was voting for yet.

It's nice that he's standing up for his convictions I guess?

But man Mormons are bad at having normal conversations about things that are important to them.

We've all seen it on Facebook and stuff- it's impossible for a Mormon to just casually say, "#ldsconf was the bomb this weekend!" or anything. Every time they make a post like that, it's like we feel we have to bear our entire friggin' testimony. Or just shove it in awkwardly, right before we rush out the door, some kind of ultimate safety mechanism. Either way, impossible to have a normal conversation, which you'd figure would be the first thing they train you for in human school.

But I guess not.

So, Bone is pretty dope. Never really been a fan of it till now, but I finally figured I should read the whole thing, beginning to end... till this point I've been working from the color versions, but the comic was originally published with just black and white art, which I'm going off of now, and, dang if it isn't the most gorgeous thing I've ever read, line-art-wise.

Friday, October 7, 2016

Plus, He Knows Karate.

International Cinema night tonight, with today's offering being Seven Samurai.

This video came out last week from Channel Criswell, another YouTube cinema-analysis channel that I watch (but don't think I've mentioned yet.) It's, about how rad Seven Samurai is, so, there you go I guess.


He recognized me, this time. It wasn't Devin, which (just as I thought) wouldn't make any sense, but his older brother Duncan, which does make sense, but darn it they just both look so much the same that it's kind of tough to tell... I've got these photos of our most recent meeting sometime around 2006, where they'd look more similar to themselves now and all that vs when we were kids, which photos kind of exploded when Laptop 1.0 did its death thing though, and I don't have pictures from when we were kids so I guess that's all kind of pointless- but if it weren't, those photos would totally back me up. Maybe.

Still a major hugger, though. Both of 'em. Which does make sense, it has been a while... Funny thing, it was Duncan whom I was the closer to, with Devin being the tag-along, but now Duncan's the one who seems further away.

It was my voice that stirred the recognition in him. 10 years later, and it's the sound of my voice that stirs something in him... It was the after-film discussion, what few of us stuck around this time after a nearly 3 1/2 hour-long movie, and with Seven Samurai being remade as The Magnificent 7, Yojimbo being remade as Shane, Samurai movies being the same genre as cowboy movies, the point I used my voice to voice is that those two are also the same genre as cop films.

Thursday, October 6, 2016

I'm Speechless, Kristofferson!: Handmade (non-FMF) BJDs

Alright, so apparently there's an entire cottage industry out there manufacturing handmade, handpainted ball-jointed dolls, and it is amazing, and I am just in love with it. Collecting BJDs is way cool. Making your own just blows my mind.

A little background music for the soundtrackless video below.


I'd been about to say more, change the subject and talk about something else, but after that I'm just kind of speechless. 

(Which reminds me, shoot the smart card for the cable box is, not working, for some reason, so I haven't been able to see this week's episodes of any of the shows I'm watching this fall. Which by now is down to Speechless and Designated Survivor, the ABC ones who'd've guessed, I know, though I have tried to catch the CBS ones but failed miserably in estimating what time they'd be on.)

So, yeah. Handmade BJDs. Just the juxtaposition of those up there makes me realize that the closest thing to Fantastic Mr Fox BJDs out there are those thoroughly wonderful but still-not-technically-BJD FMF action figures from Funko. There's a gap there. And VonBorowsky up there is entirely self-taught...

Wednesday, October 5, 2016

UX Portfolio Review Session!

Tom Deforest of the Temple Department on the roots off innovation, to Graphic Design 235..
There was a whole group of FamilySearch UX folks, the "LDS Church User Experience Interview Team," offering portfolio review from 5:00-7:00 this afternoon, in Spori 335, and they also dropped by class earlier for Tom up there to give a presentation, and all will be at the career fair tomorrow. But let's focus on the portfolio review, shall we?

Those are great. I love getting feedback on my work; it really validates a lot of my anxiety and self doubt :P but really it's always great to go over portfolios, review them and see what people are looking for in a portfolio and a review. I do it as often as I get this kind of opportunity, and here is what I gathered from this time:

Your portfolio should tell a story. The continuity from the past, pointing in a direction, should be able to indicate some future, most especially a future at, whatever company or whatever you're trying to do design for. Telling a story with your portfolio means more than just the problems you had to overcome with the designs, like I already knew/had learned about on previous portfolio reviews. Telling a story includes showing a piece, and showing what you learned from doing that piece, and what you would do differently were you to tackle the problems now.

Continuing my Brad Bird kick, now! Found some great blogposts analyzing the cinematography of The Incredibles. They are looong but they are good. Each shot of that film is a masterpiece, and these posts analyze how and why. (And the script is also a masterpiece. And the casting has Sarah Vowell, how great is that? And it's just a great movie.)

part 1
part 2
part 3

And also, rewatching Mission: Impossible: Ghost Protocol for the, whateverth, time. It's the best time yet, probably because I haven't seen it in over a year (I did watch it a bunch of times when I got back from my mission, so I can't say "years") so there's a lot that's fresh and a lot that smacks me like it's newborn, but I know the plot already so I can also follow at a much deeper level than the first time. And the film does have levels. Check it:

The Carter/Hanaway/Moreau relationship we see play out on screen mirrors a lot of the relationship that plays out in Brandt's backstory, with Julia seemingly getting killed and Brandt blaming himself for it. You can really see this in the scene where Brandt is upset at Carter for offing Moreau- he sees himself too much here...

Also, Hendricks doubling as Wistrom for no reason is kind of weird (where does he get the IMF technology? It's never explained) but it does offer us the one time in the film where the mask technology actually works, and it's a Mission: Impossible movie, you gotta have the masks.

Think n' Grins (and Brad Bird, and Half-Restless Nights, and a Mensiversary)

Went to bed early (read that: fell asleep, (read that: begun my attempt to fall asleep in earnest) as I'd been "in bed" (read that: on couch) all evening anyway.) The clouds, spinning wheels, they'd turn clear if aligned properly, and I could only fall asleep once so many were cleared. And I could only attempt synchronizing clouds if I were truly in the right mindset, to sleep anyway, and I could hardly be that when my head constantly made its presence felt, and the couch fabric wouldn't let me forget its texture either. It's a good thing the electric blanket is so fleecy; the couch texture hadn't been a nuisance to me up till this point. (I should probably bring up the fact that I've been sleeping on the couch all semester, until four days ago when the stars aligned that my bed was free of junk preventing me from sleeping there, and my pajamas were finally laundried so I didn't have to sleep in whatever I happened to be wearing at bedtime. (Of course, being all mucusy, my pajamas are soiled again, which really leaves it up in the air how I'll tackle going to bed tonight.))

Woke up (read: ceased my attempt at falling asleep, or actually yeah I did get some actual sleep in there actually) at around 10:00, to engage my backup plan, 'netting around until I poop out. Discovered the new Dead Men Tell No Tales trailer, which doesn't really make me all that more stoked, except for, is that Guybrush Threepwood? Captain Salazar, and, Animalympics, have been haunting my shoals, swimming around at the back of my subconscious, all day. (Animalympics, man. Did you know that Brad Bird was an animator on that movie? And also apparently wrote the screenplay for *batteries not included? And, IMDb is telling me, played the part of the friggin' Monorail announcer in Jurassic World? Brad friggin' Bird, man.)

Those two shoalhaunters eventually lulled me off, I guess, to a wheelless cloudless sleep, or at least that's what was achieved come morning light (in reality there was a lot more halfwakeful fantasizing, delirious singing and mumbling to myself, and application of cold and couch cushion squeezemachinepressure to my head, but that all mellowed out to a mellow, thing, by the end of the night.) My brains no longer feel claustrophobic inside my skull, the inexplicable earache that oh yeah also showed up last night has gone away, and evidence of sickness has reduced itself to occasional mild headaches, a somewhat stuffy nose, above-average phlegm, and the fact that I'm still tired as all-get-out... none of which is all that abnormal for me.

So I could show up for class this morning. In time to discover that 7 prints were due for presentation, in a world where I've yet to ink any. But showing up was the important thing; it would've been not showing up that would've counted against me, while showing up without prints counted only as mild lack of preparedness, which counts against you zero points.

So we're good. We can move on.

And in the spirit of doing that, apparently it was exactly one month ago now, that Ryan and I went down to Provo to play board games with Andrew and Heather. I drew a couple of think n' grins in the car on the ride over there, meaning to scan and post them then, but I only got 'round to it now, today before Graphic Design class started.


Tuesday, October 4, 2016

Secret Life of Pets... and Also Wieners I Guess, I Talk About Those Too

Went to go see Secret Life of Pets, finally. Took a while to get to Paramount 5, there, but I saw an ad in the university newspaper that said that they have it now, and lo and behold...

Starts off with a freaking Minions short film, which pulled no punches in terms of its, lack of objective quality, or anything. Nothing was surprising. Everything was inevitable. There was this one scene where a minion uses a paper bag of dog poo as one of those bags you hyperventilate into- that was pretty enjoyable, especially if you're exactly the degree of deviant I am. But other than that...

Comes the dawn, though. The film started. Generic Taylor Swift pop song, flyover of NYC, bird in the sky oh boy we're watching Storks from WAG no wait it's just Secret Life of Pets from Illumination, oh well-- but I like generic pop songs, darnit, and the camera swooshes down to follow Max and Katie biking in the park, the one in the center, that one, and, Max's coat is flowing gently in the breeze, and Katie's character design is well-thought-out and pretty darn pleasant, and so within one minute of the commencement of the film proper, I am hooked.

Gorgeous fur rendering, non-ugly character design. Even the characters you think are pretty ugly in the trailer aren't that ugly. (The squirrels. I'm thinking of the squirrels. Mel is still a hideous affront to decency, and the bunny thing is also fairly an eyesore, but having only two ugly characters in an Illumination film is something of a small miracle.)

It wouldn't be all that notable of a movie, really, if not for the fact that holy crap guys, it's actually a fairly decent Illumination Entertainment film-- the volume of that fact places the film's existence somewhere between Pinterest and LEGO Chima on the list of Most Groundbreaking Things in the Galaxy. Maybe not that high, maybe that's a bit of a hyperbole--it's not like it's even an above-average flick or anything--but that's how it feels to me.

WTH was up with the sausage factory sequence, though? Were those sausages spiked with drugs? Is crystal meth an ingredient in the insecticide they use to kill the insects they make sausages out of? Not that I'm wont to do any of these three things even singly, but now I'm pretty sure I know what it feels like to take a metric ton of mescaline and watch Minions and Sausage Party at the same time.

As long as I'm on the subject of sausages, though, uuummm I guess I'll take a tangent now, but I had an epiphany, sometime within the past week, how a hot dog is apparently the word for that kind of sandwich- the meat tube on the inside is the wiener, and the bread tube on the outside is the bun, and it's only their powers combined that makes a hot dog. I've just been using the term "hot dog" to refer to the wiener part as well as the name of the sandwich, which I always did figure was kind of ambiguous, and meanwhile was always confused by the (correct) usage in instances such as this:


and this:

 

Theeeere you go I guess.

So, Secret Life of Pets, anyway. Gets pretty darn scary for young kids, I guess, finally a PG film living up to its potential...

I cried, no less than three times, and I'm pretty sure probably more. I guess I'm like a "On Stranger Tides" mermaid: I discovered, sobbing like a sissy baby at the end of the movie (the hamster thing finally finds its way home!), that I don't cry at emotional lowpoints, but emotional highpoints; not sad parts in movies, but at happy ones.

Or at hatdrops, when it comes to The Good Dinosaur. You know, whicheither.

So, I guess I liked it. No individual element was anything all that new (climax straight out of Finding Dory, sausage factory sequence straight out of Perry Bible Fellowship (okay, I wish)), and heck, the combination of the elements wasn't that original either, but, I've said it before and I'll say it again: decent. Illumination. flick. Does this give me greater reason to hope for Sing? ...shoot, man, I don't know. Let Moana come out next month first, and then we can start dealing with the month after that...

Crazy thought, though: by the time Moana does come out (no spoilers till then!), the nation will already have chosen its next president.


Wild.

Sunday, October 2, 2016

General Conference, Sickness 2

When I go to sleep I do so lying on my stomach--it's almost impossible for me to fall asleep my back. I wake up on my back, and can sleep there, but nodding off at night I need to be on my front.

With my nasal leakage, I couldn't lie on my front. And so got all of five minutes of forty winks last night. Napped a bunch today.... where I could. 2 hours in between sessions, where 15 minutes felt like 3 hours. Thought I was overshooting it. Wasn't.

My dreams are warring against me. Vaguely RWBY last night, where my thoughts took over from consciousness, dreaming without rest. The complex plot the dream wants keeps me awake.Nap dreams, warring factions, wheels in the sky, equilibrium needing to be maintained, wheel clouds mixing in order to freeze in place, 3 factions, stalemate keeping me awake. White flakes. Mix the clouds, but clouds can only build up their own faction, and they need to be equal in order to combine, in order for one to win. Or something. On the couch, where armrest can prop my head back, nostrils up.

Sleep now. See condition in the morning, see if I'm fit to go into class.

Saturday, October 1, 2016

General Conference, Sickness

Been sick as a dog all day. Napped obscene amounts. Woke up at reasonable hour. Went to bed at reasonable hour. For me. Just tired. (Remember first time I stayed up past midnight- not New Year's, St Patrick's of all things. Now, stay up past midnight every night. Adulthood rocks.)

Fell asleep in bathtub this morning. LDS General Conference. Napped through almost entirety of afternoon session, with nap beginning a little after the end of the morning session. Strange dream- missed calls on cell phone not from Ryan my brother, but Ryan Snook for some reason, about missed appointments with him to do, something about a cow (but a smallish cartoony colorful one, looking like it's maybe made out of backpacks I guess.) Don't live back there at home right now, off at college, so missing the appointment makes sense. But then something about time travel, having to use like codenames because we're Napoleon or Mark Anthony, game of phone tag throughout time if you get the identity wrong you'll just have to get it right and call back.

Napped a couple more times in there.

Throat all rough and phlegmy up strip down the back. Remarkably drippy nose more lately- after Priesthood sesh, so didn't interrupt that, but it for sure interrupted doing homework much. Nose is dumb. I don't even use it much anyway. Always had terrible sense of smell.

Watched RWBY. So good. Slippery slope, though- next you'll be watching that thing with the ladybug grrl, and then what? Season 3, done. Season 4 coming out this month. Exciting.